Recently we mentioned a plan, put forth by Michael Haas, to turn the drydocks in Richardson’s Bay into a “Lunar Village,” a completely self–sufficient biosphere. The plan never materialized, but that didn’t stop Haas, AKA “the Shaman of Rainbow Bay,” from creating another fantasy for an old dredging barge moored in the shallows off of Dunphy Park.
In a 1981 MarinScope article, one–time houseboater Phil Frank reported on the city council’s plan to pursue the abatement and eviction of the offshore settlement known as Dredgetown. As Phil put it, “this collection of floating boats, sunken barges and hulls surrounding the permanently moored three–story dredge directly offshore of Dunphy Park has been a thorn in the side of the city, the Cruising Club and numerous hill dwellers since its creation ten years ago.”
Phil dug into the Dredgetown controversy with his usual gusto, asking, “now that the city has its ordinance, the next question might be ‘what is the city up against in the person of the Dredgetown dwellers’?”
He went on to summarize his interview with Michael “Woodstock” Haas, a fairly consistent occupant of the dredge for the last six years:
It’s long been my belief that if one is to be successful in battle it’s best to know one’s opponent. Since Michael Haas is the present holder of the title to the dredge and will thus be ticketed, summoned, served and sued in upcoming months, he could realistically be called an opponent. But here’s the rub, for Michael Haas also is the Shaman of Rainbow Bay. Michael is a deep believer in astrology and the spirit world.
Haas explained, “At sunrise on Easter Sunday three years ago, I was visited by Indian spirits in a vision. These were the spirits of the former inhabitants of the area. The Coast Miwok Indians were also known as the Hoo Koo Ee Koo Indians. They declared me the protector of these tidelands by making me the Shaman of Rainbow Bay. See, Rainbow Bay is what the Indians called these waters before William Richardson arrived on the scene.”
Working with a totem pole carver, Haas helped with the erecting of totem poles along the Sausalito waterfront to ward off evil spirits. To date seven have been erected, the most recent a 40-foot tall pole on the dredge itself. This one was slipped into place at sunrise of Easter Sunday morning.
Haas continued, “The poles are all in place now and the energy which these totem poles attract will protect we, the spiritual descendants of the Hoo Koo Ee Koo.”
Whether a 48-hour mooring ordinance governing anchorage of underwater streets will be any match for seven totem poles and the Shaman of Rainbow Ray remains to be seen.
According to the newspaper, Haas had acquired the Dredgetown barge from waterfront bandleader and ringleader Joe “Redlegs” Tate, who had purchased it for $1.00 several years before. When the Marin Superior Court supported the city’s desire to maintain the property for public use, thereby prohibiting residential use by an individual, Haas took his case to the California State Appellate Court, which agreed with the city’s right to preserve all of the Dunphy Park parcel for public use in a decision issued in February 1982.
In April 1982, the city exercised its option to demolish the dredge. Appearing before the city council, Haas declared, “It wasn’t until today I really understood this is the end for me. I have been defending the bay, defending the space because as long as I have been there, you haven’t been able to develop it.”
After Haas’ personal possessions were removed from the barge, the Sausalito Fire Department prepared the structure for a controlled burn. Shortly after noon, the first columns of smoke filled the sky above Dunphy Park. Curious spectators joined a handful of people who had come down to watch the demolition. MarinScope reported: “The remainder of the barge will be removed in a few weeks.”
Haas told MarinScope, “I have nothing but blessings for Sausalito. I try to look on the positive side. Everything happens for a reason. So many people are upset by this, but how are we to know who is responsible to what degree for what has happened. This is an end, but it’s also a beginning. I plan to take my show on the road and then I will come back to Sausalito.”
Like Haas’ plans for Dredgetown, that prediction never came to pass.